These are so beautiful, saw them in Aperture from fellow tutor. Think they are from 2007 so apologies if it is repeating an over posted project but they are brilliant from the open ended group.
88 x 84
'We compare the “Gloria” section of Bach’s Mass in C to that of another contrapuntal mass — in this case, Beethoven’s Mass in C majorof 1807.
The paired scores are rotated counter-clockwise, allowing time to run upwards. The words of the Mass are arranged on their inner margins. We track and inscribe the order in which the singers advance through the words, illuminating the ebb and flow of vocal time in counterpoint.' http://openendedgroup.com/index.php/artworks/breath/breath-web/
Might not be able to discern exact data from them and are more aesthetically inspiring in form than function, but does make music look as good as it sounds.
'I believe in God — Bach’s God. (Glenn Gould)
The Latin text of the Roman Mass has been set to music repeatedly throughout the history of Western music. Since that text has been relatively stable since the 11th century, it forms a useful constant when set within different musical scores, allowing us to make unusual but telling comparisons among them.
Having chosen Bach’s Mass in B minor of 1749 as the canonical work, we compared it to two other contrapuntal compositions. In this lightbox we compare the “Gloria” sections of Bach’s composition and Ockeghem’s Missa Mi-mi of the 15th century. In the next lightbox, we compare Bach with
Beethoven.
The paired scores are rotated counter-clockwise, allowing time to run upwards. The words of the Mass are arranged on their inner margins. We track and inscribe the order in which the singers advance through the words, illuminating the ebb and flow of vocal time in counterpoint. In this fashion, the unique differences of the musical structures disclose themselves to the eye: the concise clarity of Ockeghem, the intricate enumeration of Bach, and the complex convolution of Beethoven.' http://openendedgroup.com/index.php/artworks/breath/breath-web/
Collaborators
Jane Moss, Mostly Mozart Artistic Director, instigated and oversaw the project with the able assistance of her colleagues Jon Nakagawa, Chris Gentile, and others.
Lewis.Tsurumaki.Lewis Architects (Paul Lewis, Marc Tsurumaki, David J. Lewis, Jason Dannenbring, Julian Rose) created the physical design.
Robert Wierzel was the lighting designer, with Jeff Harris the assistant lighting designer.
Ruth Cunningham and Elizabeth Baber, together with the singers of New York Polyphony, performed the source music.
i don't know if i get the "nothingness vs. something vs. something else over time" out of this that i get out of music. nonetheless, props on visualizing music.
Nice post. I liked the visualized version of Bach’s Mass in C. How about comparing Brandenburg Concerti with Mass in C! It would be also interesting to compare visual images of Bach, Mozart, and Beethoven on a single platform.
This is a great project on mapping the history and narratives of a journey/terrain. A sort of map that is more interesting than the territory that Houellebecq proposed.
Looking to use video and record data on a journey, much like Stephen Shore has done on his journey's across america but only through photography. Just multimedia and more forms of it. I'd like to merge the projects Poetry Atlas & History Pin and maybe this atlascine.org that I recently saw but not just Canada.
See http://artcarto.wordpress.com/cartography-narratives/ for more about Story Maps.
More about the project 'Jay Crim and Shekar Davarya spent the summer of 2002 driving across the country on Route 66, collecting interviews with the people who live, work and travel on the old road. The audio, video and images on this map are the result of that summer, and offer a glimpse into what life was like on the now-decommissioned highway and what remains for those who still travel the road. The America's Highway project was intended to create both a history lesson on America of the past as well as a travel guide for visitors on 66 today. The work was supervised by Professor Bill Leslie, History of Science Department and Mike Reese, Center for Educational Resources, The Johns Hopkins University.'
I shared this page because mapping the knowlegde, synapses in the brain and thoughts, to try represent the self in some visual and communicable level inspired me in my studies. To present them to provide understanding of my knowledge is what got me into mind mapping. Essays of just long written linear text of roughly 12 words-per-line, 500 words-per-page, just isn't enough for me. Macluhan studied the mapping of the brain and called it Pathogrpahy, and i'm sure i'll be digggin deeper into his research. Dont want to spoil the book but phew, macluhan had an interesting perspective on women... reflected by the times i suppose.
Saw his book from this brilliant documentary here, cant believe you can sit have a coffee while a chosen book is freshly printed. (smell the middle) Long live the printed book!
By the way just found this beautiful tutorial from these: here
This ad for Mercedes Benz is really intriguing how google maps vernacular infiltrates reality. Escape The Map
Its been out a while the ad and had meant to post sooner. It is intriguing because I imagine that a projection on the road with the street view would help with sat nav's as opposed to trying to glance to your right to see a sat nav. You could just stare at the street. Would be cool.
But from a mapping point of view I was interested as it mixes the hyper real through the vernacular of google maps with reality. Now from my experiences I had learnt that hyper real was associated with the postmodern and specifically baudrillard 'the map preceedes the territory'. Jean Baudrillard argues that a simulacrum is not a copy of the real, but becomes truth in its own right: the hyperreal.
Sebastien points out an interesting view of the story map, this is the fictional representation, the story map as Sébastien Caquard puts it;
‘map is more interesting than the territory because it is an idealized simplification of a complex – and often depressing – reality. This resonates with the idea that in the postmodern world most of the time the hyper-real appears joyful beside the deterioration of the environment to which it refers (Westphal, 2007).’
See now this idea of the postmodern hyerreality being joyful is what I remember with Baudrillard and simulacra's, but I wasn't aware of the map is more intersting than the territory a point illustrated by the latest novel by Michel Houllebecq entitled La Carte et le Territoire (The Map and the Territory) (2010).
I'm not sure how we're supposed to weigh between Baudrillard or Houllebecq, but like how Sebastien says they follow with this idea of the joyful presentations of reality. Many of the these joyful selections that have been crowd sourced by google maps.
'Paraphrasing Houellebecq, in other words, ‘Google Maps are more interesting than the territory’.'
This leaves me very intrigued that the story maps that Google are providing are more interesting than reality, much in the repsect that this Escape the Map ad by Mercedes Benz particularly realises well.
It makes me want to visit, or at least try to read the videos / papers that transpire from this: Cartography & Narratives
Meanwhile, read more about the different perspectives on the map and the territory here
I have been trying to get Vism.ag/Vol 4 available in print away from P.O.Demand services and got decent prices too, but still trying to find investment to do a long enough run to realistically make it viable. But... I will try to get an ebook available of it soon and the reason I bring it up is that there are a few selections of work by Denis Wood in the online sample and there's a review of his book Everthing Sings: Maps for a Narrative Atlas that I'm sure will be of essential reading to cross reference with the thoughts of the Story Map and fictional cartography. (the word fictional still distracts me as google maps work on a degree of truth, they arent made up).
Anyhow, happy hols everyone and will try to get more posts up. In the mean time, follow @visualthinkmap on twitter for more of what I see, just less analysis.
Edinburgh is the latest creative map to be rendered, vism.ag/edinburgh. Mapped in collaboration
with creative-edinburgh.com
launching Thursday 3rd November, 6 - 8pm at The Cube, 47 Leith Street, Edinburgh, EH1 3AT.
Identified as one of the 9 creative 'hotspots' in the UK by Nesta,
this location has some great places on offer. From Edinburgh printmakers studio,
Analogue Books, The Fruitmarket Gallery @fruitmarket to round the corner Stills
photography gallery, there appears to be a lot of bustling creativity that the
platform of creative-edinburgh.com @CreativeEdin will be sure to promote and keep you abreast of its output both
nationally and internationally.
Creative Maps share knowledge of creative facilities in the world, or more specifically Edinburgh's area to help you in your creative and innovative endeavors.
Be it Galleries, Museums, Theaters, Bookshops, Arts Centers, Magazines, Studios, Design Companies, Craft Shops
Nearby on Thursday 3rd November, go check it out 6 - 8pm at The Cube, 47 Leith Street, Edinburgh, EH1 3AT
Check out the interactive map to see all the locations on Edinburgh's
Creative Map vism.ag/edinburgh
Know any places in Edinburgh that aren't mapped? Sign up and add your own
through vism.ag/sharegems
When I started creative maps, I discussed with my colleague it would be good
to show learners what poetry there was about their area to try and get them
engaged with a range of creative inspiration and outlets. Behold I came across
this:
Poetry has been geographically mapped with Poetry Atlas, not as clean and
clear as the well presented HistoryView (Pin) those quill markers are just a bit
too overpowering. But the info windows etc are equally great and like history
pin it has accumulated quite a few writings about areas. They've even made a layar app or AR reality, as I would love to have ;o). They also to their credit make it really easy to explore their site searching location, browsing poems/ poets. Very Good.
This looks great. Google maps and history merged into one. I wondered about
how we merge the old and the new somehow.
I
am keen to do old historical street maps overlayed on top of interactive google,
try to bring a spice of art with the idea of collaging like Mercato previous
post.
But its free, it has pretty good clustering of pins as you zoom in and drill
down the data so it doesn't become crowded like it could do. From the group We
are what we Do, who bring you the beautiful Change the world for a fiver book
talking about going green.
Also with it being supported by google you can sign up with your google
details quite easily.
How apt to title a map by the name of Mercato too, as he was the one that produced our standard atlas we percieve the world as today, 'Mercator projection is a cylindrical map projection presented by the Belgian geographer and cartographer Gerardus Mercator, in 1569.'
This is a great study of the uk's creative economy that has sought to study 'the concept of creative clusters as a starting point to examine the role that creative industries play in local and regional innovation systems.' NESTA
'No one doubts the economic importance of the creative industries to the UK. At 6.2 per cent of the economy, and growing at twice the rate of other sectors, they are proportionately the largest of any in the world.' NESTA
'Apart from London, the research identifies nine other creative 'hotspots' across the UK:
Bath
Brighton
Bristol
Cambridge
Guildford
Edinburgh
Manchester
Oxford
Wycombe and Slough
'In addition to mapping creative clusters across Britain, the analysis presented in our new report shows that:
• The creative industries punch above their weight in terms of innovation at both the national and regional level. They also tend to cluster in the same places as other innovative industries such as High-Tech Manufacturing and Knowledge-intensive business services (KIBS).
• Different parts of Britain present different profiles of creative specialisation: cities across the wider South are more diversified in their creative specialisation, whereas Northern and Midlands cities (Manchester excepting) have similar creative profiles.' NESTA
The designs of the maps are by designbysoap.co.uk and the individual cities maps are good with the varying intensity of a hue to represent the density of the creative sector within the particular area of one of the cities. All nine have their own unique hue as is on the key on this infographic above and in the interactive ones they have overlayed them over google so you can see street data and they let you drill down the data by clicking the different particular areas of a city. Just wish they show what creative business are in these areas.
Anyhow, great that this kind of report takes place for the creative sector, help us creatives have a better awareness like I do with http://vism.ag/maps.
Paper Works, 'a touring exhibition from Flow Gallery in London, features a host of internationally acclaimed artists whose work all harnesses the sensitivity of the hand-made object. Fragility and transience are the immediate connotations which resonate in the use of paper as a medium for creating three-dimensional form. Single sheets are either reworked or
pulped by the artists to form visually striking pieces.'
This is a close up of this great paper piece called 'A Story' by Aino Kajaniemi and she describes them as 'memory scrolls, and the viewer has to imagine and create the messages contained in the scrolls for themselves. Love letters, an apology'
A very cool gallery and good to see that space at the civic been put to good use. Visit and keep the gallery going which has had a beautiful redevelopment from I the gallery manager said lottery fund. You can purchase pieces aand adorn your home with unique paper art.
Cool url and even cooler news print journal. 'The quarterly Journal contains all the best from the Protein OS. It pulls together the very best of the network from the past three months. Previous issues are catalogued below.'
Finally got round to posting this was their third issue and it was packed full of some beautiful data visualisations and interviews and lots to read. It even contained a free poster of the latest work (was a while ago I got this, just got round to posting) by Peter Crnokrak who was featured in http://vism.ag/vol2 see page 12 - 15 called 'Everyone Ever in the World', great work btw Peter.
Beautifully composed/designed with a great healthy use of space that sits perfectly with the newsprint feel. Clean type it, its in colour too with some great projects from their dose of quarterly creative intake from the eyes that i'm about to check out, such as:
Sam Winston's Birth-day - does some brilliant typographic explorations such as Sam's 'The Monster Story' or 'The Dictionary Story' (i think the second was called this...)
Henry Luong's Seinfeld Data Vis, looking similar in circular compostion to those made by Peter Crnokrak [LoP]
Mapping America, also looking cool.
You can see all their issues for free, online in the same approach, possibly through Issuu.com too, approach to the flash viewing of http://vism.ag
It was really awesome post!
Thanks a lot for sharing..
Nice post. have you heard about the new ipad jailbreak? random but I was just thinking about it.
Had difficulty viewing the site in Safari on Linux, but I still loved the site.
OK good to see- useful blogs are always sweet! See yas.
i don't know if i get the "nothingness vs. something vs. something else over time" out of this that i get out of music. nonetheless, props on visualizing music.
Amazing what technology can do, to be able to relate sound to a graphical representation. Thanks, great post!
Nice post. I liked the visualized version of Bach’s Mass in C. How about comparing Brandenburg Concerti with Mass in C! It would be also interesting to compare visual images of Bach, Mozart, and Beethoven on a single platform.
nice post. it is actually useful for many.
.-= Austin´s last blog ..How to Relocate Valuable Items Safely with a Moving Company =-.
Whoa. it look likes a water pool touched by fore fingers and the wave depends on how deep you plunge your finger. Great representation.
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