Escape the Map

This ad for Mercedes Benz is really intriguing how google maps vernacular infiltrates reality. Escape The Map



Its been out a while the ad and had meant to post sooner. It is intriguing because I imagine that a projection on the road with the street view would help with sat nav's as opposed to trying to glance to your right to see a sat nav. You could just stare at the street. Would be cool.

But from a mapping point of view I was interested as it mixes the hyper real through the vernacular of google maps with reality. Now from my experiences I had learnt that hyper real was associated with the postmodern and specifically baudrillard 'the map preceedes the territory'. Jean Baudrillard argues that a simulacrum is not a copy of the real, but becomes truth in its own right: the hyperreal.

Having looked at a recent paper by Sébastien Caquard, Cartography I: Mapping narrative cartography. See here: http://phg.sagepub.com/content/early/2011/11/06/0309132511423796

Sebastien points out an interesting view of the story map, this is the fictional representation, the story map as Sébastien Caquard puts it;

‘map is more interesting than the territory because it is an idealized simplification of a complex – and often depressing – reality. This resonates with the idea that in the postmodern world most of the time the hyper-real appears joyful beside the deterioration of the environment to which it refers (Westphal, 2007).’

See now this idea of the postmodern hyerreality being joyful is what I remember with Baudrillard and simulacra's, but I wasn't aware of the map is more intersting than the territory a point illustrated by the latest novel by Michel Houllebecq entitled La Carte et le Territoire (The Map and the Territory) (2010).

I'm not sure how we're supposed to weigh between Baudrillard or Houllebecq, but like how Sebastien says they follow with this idea of the joyful presentations of reality. Many of the these joyful selections that have been crowd sourced by google maps.

'Paraphrasing Houellebecq, in other words, ‘Google Maps are more interesting than the territory’.'

This leaves me very intrigued that the story maps that Google are providing are more interesting than reality, much in the repsect that this Escape the Map ad by Mercedes Benz particularly realises well.

It makes me want to visit, or at least try to read the videos / papers that transpire from this: Cartography & Narratives

Meanwhile, read more about the different perspectives on the map and the territory here

I have been trying to get Vism.ag/Vol 4  available in print away from P.O.Demand services and got decent prices too, but still trying to find investment to do a long enough run to realistically make it viable. But... I will try to get an ebook available of it soon and the reason I bring it up is that there are a few selections of work by Denis Wood in the online sample and there's a review of his book Everthing Sings: Maps for a Narrative Atlas that I'm sure will be of essential reading to cross reference with the thoughts of the Story Map and fictional cartography. (the word fictional still distracts me as google maps work on a degree of truth, they arent made up).

Anyhow, happy hols everyone and will try to get more posts up. In the mean time, follow @visualthinkmap on twitter for more of what I see, just less analysis.

Working Drawings

IMAG0126 300x200 Working Drawings

This is a brilliant exhibition featuring some great visual thinkers Ken Garland, Ed Fella, Abram Games, Alan Fletcher, Saul Steinberg, Neasdon Control Centre to name but a few.



'I have discovered that it is impossible to see anything anything until you have made a deliberate attempt to draw it' milton glaser

There are endless readings despite the geographic size of the space to exhibit the sketchbooks and drawings. The real gem here is the designers/artists talking about why they draw and how it informs their practice. it really examines the transfer of thought to page to work.



'As a graphic designer who mostly works with text-based commissions, it is rare that I "draw" within my working practice context, though I do often map my thinking process visually ' catherine dixon

This is an excellent exhibition with great visuals but equally, if not better dialogue of analysis between the viewer and the artist/designer. Cant wait for the conference!

Working Drawings’ Exhibtion and Conference

Sheffield Hallam University

Conference: Friday 3rd December 2010 (11am to 4.30pm) SNOW disruption. 20 January 2011 now! Where: Hallam Union, The Hubs, 6 Paternoster Row, Sheffield, S1 2UU

Exhibition: 4th – 23rd December 2010 Where: 153 Arundel Street, Sheffield S1 2NU

The exhibition includes drawings by Jill Calder, Roderick Mills, Ken Garland, Ed Fella, Abram Games, Alan Fletcher, Saul Steinberg, Jason Ford, Lee Ford, Frazer Hudson, Lydia Monks and Simon Spillsbury.

You can down load the two PDF flyers here: Working Drawings Conference Flyer Working Drawings exhibition Flyer

Online Registration and Information: www.shu.ac.uk/ad/workingdrawings/

Bookings for the conference are charged per attendee at £10 for non Hallam staff or practitioners and £5 for students. You will receive an email shortly after registration to arrange payment

Further information can be found at here: www.shu.ac.uk/faculties/aces/art/gallery/

Pixel Rolling

7f5a6b118e821052d9791748dc846736 Pixel Rolling

This might be old, but how great is it. Paint your screen. I am intrigued at some point to find out what solenoids are that 'control paint-emission', Audi Design Foundation, Design in Action publication.

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'PixelRoller is a paint roller that paints pixels, designed by Stuart Wood, Florian Ortkrass & Hannes Koch as a rapid response printing tool specifically to print digital information such as imagery or text onto a great range of surfaces. The content is applied in continuous strokes by the user. PixelRoller can be seen as a handheld “printer”, based around the ergonomics of a paintroller, that lets you create the images by your own hand.' random-international.com/pixelroller-overview/# .

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. Originally by Wood & Ortkrass whilst postgraduating (lets make words) at the RCA, Audi DF I want to know if it can control more colours, or do you have to change paint supply? the computer keeps it in registration (alignment) so you can re-paint over the same part of an image and controls the supply of paint, bit like using the same clone point in Adobe Photoshop (love doing that into a blank document from an image with a wacky brush).

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. This is part of the V&A Museums permanent collection of (I assume...) con-temporary printing machines, or in the Audi - Design in Action publication the 'temporary printing machines and with clients like Nokia, Coke Zero & Oracle. The publication did have some lovely tracked type and spreads combining red, black and beautiful white space. .

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'The software for the first PixelRoller prototype was created using processing which proved invaluable to the development process.' random-international.com/pixelroller-overview/#

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That processing by Casey Reas and Ben Fry I think it was... whilst at the Aesthetics & Computation Group headed by John Maeda is finding some truly versatile uses.

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. http://www.random-international.com/pixelroller-overview/#

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For more information, please contact us more@random-international.com. For more images, please visit the PixelRoller at the RCA 2005 Gallery.

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I wanna see the sun.... blotted out of the sky!

154f16a64a10b52c9089aa68412c22ec I wanna see the sun.... blotted out of the sky!

The 'latest London Underground map issued by Transport for London is a cleaner, stripped down version of the previous one. But TfL has deemed it necessary to do away with one little aspect that, for many, is a key navigational part of the map. The river Thames...' . . 'When you compare the two, it's a bit of a mess isn't it? But why take the Thames out? . . Ben Terrett emailed CR yesterday with news of the redesign and, on first inspection, the map looks decidedly less cluttered and is easier to read than earlier editions. . But is a river truly necessary on a map of a subterranean travel network anyway? Well, we're of the belief that, actually it is.' I have to agree, when I saw this come in my inbox, I thought and.. until I spotted no river, that little bit of representing reality, albeit abstracted through simplification and Beck's 45 degree angling system to mimic what he did with the tube lines. It doesn't have to be Turgot's 1739 (french's long adoration to pure cartography - 100% true geography - right up until RAPT's 2000 Paris guide) style of from the air 3d view, i'm sure allowing just these little abstracted pure cartog examples of landmarks from the territory won't detract from the mapping's aid to navigation, but as the clever sparks at CR pointed out, 'It's (the thames) a key signifier of the true geography of the city and many journeys involve working out whether you're going north of south of the river (just ask a cabbie).' Surely we should try to retain some level of reality in the mapping? some aspect of true geography, were not saying, like my tutor pointed out to me with a good humorous quote, we do 1:1 map, 1 inch to 1 inch, 'From Sylvie and Bruno Concluded by Lewis Carroll, first published in 1893.

"That's another thing we've learned from your Nation," said Mein Herr, "map-making. But we've carried it much further than you. What do you consider the largest map that would be really useful?" "About six inches to the mile." ""Only six inches!"exclaimed Mein Herr. "We very soon got to six yards to the mile. Then we tried a hundred yards to the mile. And then came the grandest idea of all! We actually made a map of the country, on the scale of a mile to the mile!" "Have you used it much?" I enquired. "It has never been spread out, yet," said Mein Herr: "the farmers objected: they said it would cover the whole country, and shut out the sunlight! So we now use the country itself, as its own map, and I assure you it does nearly as well.

Were not saying shut out the sunlight ;o), but no need to to go to the other extreme like this new london underground map and make that many simplifcations, drilling down the data so far that we remove any representation of geography whatsoever, stick with what we had, KEEP THE THAMES. Stay on a par with the French, as they managed to adopt a higher level of abstraction and simplification, away from Turgot, but kept their river... erm... sienne i think.

Open publication - Free publishing - More airport
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And personally, when I made a rare venture a abroad (I know it wasn't that far, a channel tunnel abroad ;o) ), I used the map below with iconic depictions of the opera house, the eiffel tower, the museums (typical artist/designer) i was trying to combine this with the subway map, cross referencing the stations and geographic proximity to that of stations to get around. Therefore I think ever so slight spatial allowances for typical landmarks in the topographic landscape such as Big Ben, Guerkin, Tate should be depicted or at least encoded somehow to aid us non-residents. .
Open publication - Free publishing - More airport
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Telling the whole story and blocking out the sunlight is obviously not that much of an aid, although funny, nor therefore then a map, showing the whole territory rather than aiding with simplification through 'making selections' on reality. . But likewise complete abstraction such as this new underground map removing any geographic depiction, 0% pure cartography, an aid, removing the river is just as well serving to block out the sunlight (our level of understanding and patience) as does the other end. . WE NEED SOME ASPECT OF PURE CARTOGRAPHY DEPICTING . Find a balance (as there was already btw....... if it isn't broke....) . 80% abstraction & 20% pure cartography (albeit that this 20% might well have a level of simplification also such as iconicising - - I know I prob made-up a word, but lets push the lexicon ;o) - - ) . I know as a designer we have to challenge the stat quo and push our perceptions and representations but I'm sure there is a far too high a level of perception required to realise where your are without some geography in this type of representation - mapping info! It does look cleaner, with i think more white space, but put some pure cartog in there... please. . Let us SEE THE SUNLIGHT . http://creativereview.co.uk/cr-blog/2009/september/tube-map . No sooner (behind by a couple of days) do I post, than I find from Jonathon Crowe at the map room usually the person with the most up-to-the-minute news on mapping btw, is the plea to Let us SEE THE SUNLIGHT is answered.... . http://www.telegraph.co.uk/travel/travelnews/6201988/River-Thames-restored-to-London-Tube-map-by-Boris-Johnson.html . btw... I avoided mentioning about the fare zones, but I felt aggrieved at the elimination of the zones myself also (not a londoner) as I do appreciate being able to determine costs / travel criteria. . ------------------------------------------- . ps dont paint it black... love the stones... btw dont you always notice how films always use this song along side representing evil on goings... full metal jacket at the end i think, devils advocate... and i'm sure there were others.