Evolution of Life Visual

da511976dec2771b0d2ea69d2d885a2f Evolution of Life Visual


Origin & Development of Life Visual
Originally uploaded by visual think map
Following on from Watch the Evolution Design post this info - graphic map elicits great visual thinking.

It has so much detail charting life evolving on land, in water against a geological timeline with such subtle pastel colours, little line illustrations & sharp pink sectioning, similiar form to the Liverpool Map. It is brilliant.

It appears on p.32 of the Unknown. (1993). Times Atlas of the world (concise edition) 6th Ed. Hammond World Atlas Corporation. First published in 1982, this book has become a classic of reference publishing around the globe. The acknowledgements section gives picture credit to "Encyclopaedia Universalis".

Encyclopædia Universalis is published in French (by Encyclopædia Britannica) and the current edition has been hailed as an irreplaceable reference. One of the distinguishing features of this set is its intelligent structure. With more than 18,000 bibliographical notes, 50,000 entries, and 280,000 references, the 4-volume Index is the master key to this work. The 23-volume Corpus, with more than 6,000 in-depth articles on various subjects covering nearly every field, can be considered a summary of all knowledge.

It has more than 4,000 world-renowned authors, and with these vivid info graphics, they literally bring to life every topic engaging readers and explaining more complicated topics.

Source: http://eb.com/Product_EU.htm
Image: Steve M, cheers.

Watch the Evolution Design

tom+gauld+ +evolution+watch Watch the Evolution Design

Tom Gauld visualised time a little differently challenging our perceptions in his drawings, doodle style thinking, watch design visual for United Arrows called EVOLUTION.

Rather than using numbers normally depiciting time he takes his solid black characters to depict time as a sequence in evolution as opposed to a sequence in numbers paradigm.

Another great alternative perspective to time (see Dynamic Time Visualisation) that still functions through the placing of the images, it merely making the familiar strange creating a conflict in form (doodles rather than numbers) that needs to be interpreted.

There are many great quirky illustrations by Tom Gauld charting his fantastic imagination who is featured in The Picture Book: Contemporary Illustration & Pictures and Words: New Comic Art and Narrative Illustration.



Source: http://images.google.co.uk/imgres?imgurl=http://www.cabanonpress.com/images/tomsbits/watch.jpg&imgrefurl=http://www.cabanonpress.com/tomsshed/8.2.watch.htm&h=434&w=402&sz=37&hl=en&start=1&sig2=jgEeYSpw3VoosVMsW7QO9A&um=1&tbnid=rHPWzGlc3AvO6M:&tbnh=126&tbnw=117&ei=HDVISInoNYuw6wPt7ujwBA&prev=/images%3Fq%3Dgauld%2Bevolution%2Bwatch%26um%3D1%26hl%3Den

Periodic Table of Visualisation Methods

periodic+table+of+visualisation Periodic Table of Visualisation Methods

Brilliant, brilliant, brilliant. Its interactive, you hover over the elements charted and it gives you an example of the creative data/information visualisation method.

For instance my last post Type Timeline Map would be the element T and is usually just an overview, although I tried to put as much detail in as I could, and is classed as an Information Visualisation. They're all there and more Mind Maps, Flow Charts all divided into categories.

It is another great subversion of design styles with soft pastel colours. The original Periodic Table transformed into Visual Thinking Elements is fantastic. Gives creativity and design this much needed scientific perspective as many data/info visualisations are bordering on the discipline of Science.

This isn't the first periodic table subversion, Simon Patterson not surprisingly in 'Rhodes to Reason' (1995) featured in Mapping: An Illustrated Guide to Graphic Navigational Systems has done this too. Simliar to his other Beck Tube map 'The Great Bear' (1992) subversion he takes actors names initials Sc for sean connery as an element and many other diverse individuals.

I first saw this Periodic Table of Visualisation methods featured among Jeff Bennett's Visualisation Taxonomy at his site visualthinkmedia.com. I then found it featured at Dave Davison's blog IQP which is when I discovered the full magnitude of its brilliance.

Excellant work by Ralph Lengler and Martin J. Eppler @
visual-literacy.org/periodic_table/periodic_table.html

Dynamic Time Visualisation

clock+visualisation+ +julien+bayle Dynamic Time Visualisation


Julien Bayle.net talks about visual design and more. He works on social network visualizations, generative art and data visualizations.

He has had some of his social network visualisations published on visual complexity.com.

His dynamic clock to visualise time is simple and innovative. Rather than just static numbers around a circle and handles, he uses space (area) in circles to represent the amount of time elapsed in seconds (dark blue), minutes (white) & hours (light blue).

A great alternative perspective to time rather than the usual. Certainly making the familiar strange through a conflict that needs to be interpreted.



http://www.julienbayle.net/complexity/visualization/clock/

Web Trend Map 2008 Beta

web+trend+map+08+ +information+architects+jp Web Trend Map 2008 Beta

Not all visual maps are prescribed to geographic content. Moving away from the past 3 maps of geography but continuing the theme of technology, there is this wonderful map from the Information Architects mapping popular internet websites.

In its second version they've 'taken almost 300 of the most influential and successful websites and pinned them down to the greater Tokyo-area train map. By popular demand, we enlarged the poster size from A3 to A0' (greber, 2008, web-trend-map-2008-beta).

In the popular style of train/underground maps, first started by Harry Beck’s London Underground map, which he developed from 1931 onwards, they are being subverted into alternative content, like here of websites map. Their clear, clean white space [1] is highly effective for organisation of information.

It is a type of

concept map

that is similar to brainstorms where it connects ideas and to that of mind maps. They are ‘graphical representation[s] where nodes (points or vertices) represent concepts (defined by [Joseph .D] Novak[2] as perceived regularities in objects and events), and links (arcs or lines) represent the relationships between concepts’. These objects and events are the common features which we abstract from our experience. The events form Wordsworth’s childhood memories that are ‘“sources of adult confidence and creativity”’ and helped him when writing Daffodils, or the visual memories in Barcelona of Picasso that inspired the painting of ‘Les Demoiselles of D’avignon’ and the objects could be the Iberian sculpture, or the Monet painting that also inspired him (Coffey, Hoffman, Cañas, & Ford, 2002, p. 2), (Sharples, 1999, p. 48).

‘Concept maps are used to form knowledge models by placing them in a hierarchical organization and appending elaborating media onto the nodes within each map’ (Montello, 2002, p.2). An excellent example of this is the search engine KartOO. The elaborate media stated are the hyperlinks, animations that are activated when you click on one of the nodes (website names).

Overall it is an excellant map utilising white space & framing knowledge beautifully, brilliant balance of form/function. More articles will come featuring projects mapping the internet.

Online Clickable links version - excellant concept map
http://informationarchitects.jp/webtrendmap3/trendmap2008.html

[1] ‘white space is, perhaps, the most important, [...] aspect of writing as visual design. According to James Hartley, a psychologist who studied the visual design of text, good use of white space can help a reader to: See redundancies in the text & thus faster reading; See more easily which bits of text are personally relevant for them, See the structure of the document as a whole; Grasp its organisation’ (Sharples, 1999, p.141).

[2] Joseph D. Novak studied the concept mapping technique in the 60’s at Cornell University.

mini bibliography

gerber, matt. (2008). Web trend map.
http://informationarchitects.jp/web-trend-map-2008-beta/ Friday, January 25th, 2008

Sharples, Mike. (1999). How We Write: writing as creative design. Routledge, London

Google. (2007). Search – Cognitive Mapping
http://intraspec.ca/12montello.pdf. Montello, David. (2002). Cognitive Map-Design Research in the Twentieth Century: Theoretical and Empirical Approaches. Cartographic and Geographic Information Sciences, Vol. 29, No. 3, pp.283-304

Google. (2007). Search – Cognitive Mapping
http://intraspec.ca/cogmap.php. John W. Coffey, Robert R. Hoffman, Alberto J. Cañas & Kenneth M. Ford. (2002). A Concept Map-Based Knowledge Modelling Approach to Expert Knowledge Sharing*, Florida Institute for Human and Machine Cognition, Pensacola Fl, 32502, viewed 30 June 2007, http://www.ihmc.us/users/acanas/Publications/IKS2002/IKS.htm

New York Times Key Magazine Cover

ny+times+key+magazine2+ +john+maeda+ +CR+nov+07+p42 New York Times Key Magazine Cover


Note that I dont have an obsession with New York at the moment, but with such great art foundations of Rauschenberg, DeKooning & Pollock its no surprise of its creative vein. Today technology is the key that has fused creativity & opened boundaries to allow interdisciplinary practice.

The New York Times real estate magazine Key started with the cover design concept of hiring people that are brilliant to do personal interpretations of what a key means to them & their lives. The 1st cover in the Fall 2006 by Carin Goldberg featured all the places she lived at using the font Dynamoe (green & black thumbnail) & spring 2007 (yellow & purple thumbnail) was designed by new york design studio 2x4.

In dialogue with John Maeda (author of Creative Code: Aesthetics + Computation) art director Dick Barnett looked at some of Maeda's sketches and replied to him saying how he's 'loving #3 Google Mappish Mondrian' (3rd thumbnail along) idea and how he might 'think of a way to make it more personal to [maeda's] life'. Maeda responded utilising Boston, he states how he 'thinks of the world as a sort of map of cities', a topographic territory, he 'mined the internet for all the cities with an airport' & made a simple diagram and then drew some 'fluid like curves [framing] to connect into the centre of the keyhole' (4th thumbnail), (Centaur Publication, 2007, p. nov – 42).

Maeda wanted to concentrate on the background rather than the foreground & after some design processing (problem solving) such as replacing fonts used to that of Key magazines T-Star, it was finished. The design is brilliant, although probably not that easy a task to create without access/stroke knowledge of computer science functionality but excellant aesthetics. The overall white stands out from the blue (a colour normally percieved as depiciting sea in maps) causing a slight incongruity on part of the viewer, map reader/user. Boston being the epicentre of travel in this map providing the key access to other cities and the viral red linking lines spidering the topgraphic locations.

Excellant Map utilising technology to visualise data functionality mentioned upon with Bradford Paley, in the heart of its design.

'John Maeda is an artist and a computer scientist, and he views the computer not as a substitute for brush and paint but as an artistic medium in its own right. His mission is to foster the growth of what he calls 'humanist technologists'- people that are capable of articulating future culture through informed understanding of the technologies they use' (http://www.designboom.com/eng/interview/maeda.html, 2008, p. john maeda interview).

More examples of the stages of Maeda's Key Cover design here, http://www.nytimes.com/slideshow/2007/09/06/realestate/keymagazine/20070909_KEY_COV_SS_index.html

Creative Review. New York. Centaur Publication, 2007, p. nov – 42).