Posting more notes/sketches on this blog. Don't know if its the same for all artists but I have way too many projects on the back burner. Its almost like you're forever trying to pluck them frmo been forgotten about of the evil back burner. These conveyor belts of those great projects.
Some of these are really good, clever and interesting. The what makes good info design by David Mccandless at informationisbeautiful.net controversial venn diagram usage which as I mentioned is good for a beginner.
variationsonnormal.com is such good humour and quirky visual thinking. I particular like the satirical look at website stats with the hugely necessary and important: Average visitor weight. Will regularly visit/be fed via google reader his other quirky inventions like a handle for biscuits to dunk.
'Website stats are an obsession for some people. How many visitors? What age
are they? How long do they spend on the site? The list goes on. Here is my
idea to take this statistical obsession one step further. A doorbell with
built in home visitor statistics display'. (C) Dominic Wilcox
Share with your many more readers than mine and explore their versatile and equally clear 'back catalogue'.
I tell you, the amount of posters I want to print so big and put up in a classroom, Periodic table of Typefaces, this, Periodic Table of Design, psd-poster - shortcuts by designbyvent, Type Timeline Map... and I'd be tempted with Periodic Table of Visualisation Methods, Information Aesthetics Diagram.
Here's what they say,
'The creative process is not just iterative; it’s also recursive. It plays out “in the large” and “in the small”— in defining the broadest goals and concepts and refining the smallest details. It branches like a tree, and each choice has ramifications, which may not be known in advance.
Recursion also suggests a procedure that “calls” or includes itself. Many engineers
define the design process as a recursive function:
discover > define > design > develop > deployThe creative process involves many conversations—about goals and actions to achieve them—conversations with co-creators and colleagues, conversations with oneself.
The participants and their language, experience, and values affect the conversations'.
http://www.dubberly.com/concept-maps
Download PDF - http://www.dubberly.com/wp-content/uploads/2009/03/ddo_creative_process.pdf
More here:
A Model of The Creative Process
A Model of Play
Visualization magazine volume 1 has a collection of 20 top examples that explore creative innovative modes of visual communication of information that i have featured at this site, plus other bits that will hopefully expand over time and member (you) would gratefully in time like to contribute, if you wanted.
Things like maps, diagrams, info graphics, mindmaps, brainstorms, sketchbooks,
notebooks, flowcharts, scientific visualization, process visualization etc. As I
say they are very good resources of inspiration for various design jobs as they
solve communication problems using easy to understand graphics. Seems a mouthful
but basically great graphics that look great (form) and communicate detailed
info quickly and easily (function).
http://issuu.com/visualthinkmap/docs/visualisationmagazinevol1
These pages from his book Changes: Notes on Choreography by Merce Cunningham are fantastic visual thinking explorations of dance space. These wonderful pages of red topographic movement and complimentary weaving lines of type notes are great explorations of the notebook spread themselves.
They are very similar in style to the spreads from Kurt Schwitters & Theo Van Doesburg in 1920 - 30's De Stijl or even Dada from Picabia. Very abstract compositions with varying line qualities and shapes.
Merce Cunningham is one of the most influential and innovative choreographers of the twentieth century. His works, such as Summerspace (1958), are in the repertoire of internationally celebrated companies, including the New York City Ballet, the Paris Opéra, Zurich Ballet, and Rambert Dance Company, among others. Along with John Cage, Cunningham collaborated with other contemporaries, including Jaspar Johns, Andy Warhol, David Tudor, Frank Stella and Robert Rauschenberg.
Cunningham is not interested in narrative and character development; his choreography investigates the formal elements of dance. Cunningham and Cage shared the belief that movement and music are equal. Accordingly, they created the choreography and music separately in their collaborations.
Merce Cunningham Info Source: http://www.artsalive.ca/en/dan/meet/bios/artistDetail.asp?artistID=165
Image Source: Cunningham, Merce and Frances Starr, ed. Changes: Notes on Choreography. New York: Something Else Press, 1968 featured in Creative Reviews - March 08 - p42.