absolutely brilliant. ok the classifying isn't perfect but the execution is
top notch. they're must know fonts for designers from gunter gerhard ith akidenz
grotesk, goudy, cassandre, baskerville, tshichold, benton, renner... and... the
dates they were created.
when i did the periodic table of design and when i did type timeline... i
thought that there had to be one made for typefaces. it has gratefully been
fulfilled in excellant style.
love it, enjoy it, share it.
see more periodic table subversions here: http://visualthinkmap.ning.com/main/search/search?q=periodic+table
quite a few.
also i'm included there: http://visualthinkmap.ning.com/photo/photo/show?id=2168552%3APhoto%3A1119
/ http://visualthinkmap.blogspot.com/2008/08/periodic-table-of-design.html
from: via @azaaza: Periodic table of Typefaces: http://tinyurl.com/ar8cz7
you might like: Type Timeline Half 1
found: http://feedproxy.google.com/~r/InformationArchitectsJapan/~3/fVfaDMMDBv8/
Published on 2009/03/21 3:10 am.
Filed under: clean, clear, composition, design, font, hierachy, information, periodic, simon patterson, swiss, type, typographic, visual thinking, white space

Visualise yourself, what would you display to an audience? how intimate would you make it? Well even though he has been doing them from 2005 I have just discovered them by Nicholas Feltron. With very minimal styles but nice clean, clear, infographics and bold numbers encased in this swiss style grid system to keep some structure and rigidity to his diverse information of his life.
I am curious how he records all this data to be absolutely accurate, it must be some focsed, disciplined time keeping and number crunching.
Why? When quizzed, Felton’s admits that ‘it satisfies a real curiosity that I have about my habits. Why is it a popular document? If there are numer ous people out there who think it is fascinating and don’t even know me… imagine how fascinating I find it’. At first your reaction is ‘Oh please….’ but soon you are scouring the pages to see which was the most visited restaurant, his most-drunk beer: a sort of typographic Truman Show, authored by Truman himself.
It is intersting how the CR blog author describes it as a sort of typographic Truman Show.
http://feltron.com/
there are previous versions there.
found here: http://www.creativereview.co.uk/crblog/me-myself-and-i/
Published on 2009/01/16 3:22 pm.
Filed under: brockmann, clean, complex, data, design, geographic, how to, map, mobile, seeing, self, strange, swiss, visual maps, visualisation

The fabulous design agency Pentagram based in New York with partners like Angus Hyland (co-author of many excellant design/illustration books, The Picture Book: Contemporary Illustration & Paula Scher (AIGA medalists, notorius mapper, will feature soon),
....at the worlds leading multi-disciplinary design consultancy, feature an excellant map that Scher would be proud of.
The partner DJ Stout has created a “Texas Designer’s Map of the World” as a part of a promotion for Sappi Fine Paper. Based on the concept of a Texas Brag Map, the poster elucidates the worldview that everything is bigger and better in the Lone Star State. “It’s part of our Texas heritage and our collective sense of humor,” explains Stout. “My apologies to the other smaller, less interesting states on the map.”' (pentagram, 2008, p.new).
He divides a map of the U.S. into six parts and assigns each section to a graphic designer who resides within the region. When all six posters are put together, they form a giant map of the United States, “of course I was given the Southwest,” says Stout (pentagram, 2008, p.new). Its composition is bolshy, beautifully layered (as you notice opening the pdf on a sluggish computer), with Piet Zwart/H. N. Werkman letters treatment surrounded by soft pastel triadic harmony of red, blue, yellow. Yet still its not too disparaging with the these surreal, fluctuating sized elements like The World's biggest Jack Rabbit, it has Swiss grounding in neat, clean, precise, even grids of text J.M.Brockmann would be proud of, creating a salient [1] contrast. It also treats word (type) as image that crow [2], and concrete poets of appollinaire to mallarme would adore.
The other participants include Art Chantry, Rick Valicenti, Paul Sahre, Clive Piercy and Tim Hussey. Brilliant.
Download the large version image here.
http://blog.pentagram.com/2008/02/new-work-sappi.php
[1] Kress & Van leeuwen
[2] Left to Right: The Cultural Shift from Word to Image
Published on 2008/03/27 7:40 pm.
Filed under: bolshy, brockmann, contrast, designs, graphic, harmony, illustration, interdisciplinary, map, new york, pentagram, surreal, swiss, texas, world, zwart Tags: Angus Hyland, Appollinaire, Art Chantry, bolshy, brockmann, Collective Sense, contrast, design, Design Illustration, designs, Disc jockey, Fabulous Design, graphic, Graphic design, harmony, illustration, Illustration Books, interdisciplinary, Jack Rabbit, Lone Star State, map, Map Of The United States, Map Of The World, new york, New York City, Paul Sahre, Paula Scher, pentagram, Piet Zwart, Rick Valicenti, Sluggish Computer, surreal, swiss, texas, Texas Heritage, United States, Werkman, Word Type, world, zwart