Mississippi Type Visual

 Mississippi Type Visual

I love this. real triumph to concrete poetry. mallarme or apollinaire would really applaud this visualisation, clean, informative design/map. I agree it works well as a free form poem, (as a western reading, its in english) top left to bottom right with how its composed. I love using type to represent space. type/typography as image. still a sketch... looks good.

'This is the latest map in my "Typography of Place" series... a map of the cities and towns that lie along the Mississippi River. The last two maps I did in this series (Silk Road and the Aleutian Islands) were very horizontal. So I wanted to try one with a vertical format.One of the things I am trying to achieve in these maps is to have the words that make up the map read as a sort of free-form poem.

In this one, I think that comes across particularly strong since you can "read" it from the river's source in the top left to the mouth in the bottom right.I have not color coded the place names on this map as I did in the Aleutian Islands Map but the same theme is present with many towns having Native American names (in addition to the river itself).

French names are also quite present as you travel down the river. Then there is the intriguing sequence of Egyptian-inspired names that includes Memphis, Thebes, Angola, and Cairo.This is still a sketch but I assembled the base map by drawing the river and placing the cities on the appropriate side of the river to try and stay geographically accurate. But I knew as I was building it that I was going to center the towns on the middle of the river to emphasize the meandering path the river takes as it starts in northern Minnesota and works its way all the way to the Gulf of Mexico. '

found here: http://flickr.com/photos/amapple/2546733739/in/set-72157602275753358/

check his blog: http://randomaxis.blogspot.com/2008/06/mississippi-river-typemap-this-is.html

Bank Space Sky Onion Visualisations

 Bank Space Sky Onion Visualisations

1.2.

3.4.

Awesome visualisations by Theo Deutinger Architects.

1. China
vs. Worldbank in Vrij Nederland


Vrij Nederland issue Nr. 17/18; 2008 features a world map, which compares the
top ten money streams of the Worldbank versus the top ten foreign direct
investments of China. Underlying one can see the expected GDP growth per country
for the year 2007. While the Worldbank’s core task is to help world's poorest
nations, most of its money is lent to countries with double digit growth rates.

I particularly like the subtle shades of grey for the countries and then the
bold blue & red sprouting from world bank and china much in the style of
their invasion, presence affecting these countries. (much like dads army, uk).
Then some handy pye charts for stats keyed to their colour.

producer: Theo Deutinger in collaboration with Pieter van Os

http://www.td-architects.eu/?id=4

2. Building
up Space

50 years ago the first artificial satellite Sputnik 1 was launched by the
Soviet Union, inaugurating the rage to occupy outer space. Currently, the U.S.
Strategic Command monitors 12.771 satellites and other large objects with about
10cm in diameter orbiting the earth. Out of these 12.771 objects only 872 are
active satellites, while most of the remaining 11.899 monitored pieces are
dysfunctional and considered ‘space debris’. Together with millions of other
smaller pieces of debris generated by spacecraft explosions or by collisions
between satellites, they form a rapidly growing dangerous nebula, causing a
major threat for damage on satellites and spacecrafts. The power released by a
1cm piece of space debris is equivalent to a hand grenade. While our lives on
earth depend more and more on GPS satellite support, the space they are imbedded
in becomes more and more threatened. As an American General puts it “…our
space architecture is very fragile.”

Very interesting subject matter to think that their is that much floating
above our atmosphere. Never imagined that scale.

Producer: Theo Deutinger

http://www.td-architects.eu/?id=96

3. High-Rise
Buildings

Out of the 191 countries that are counted by the United Nations only 81 (42%)
to have a building that is higher than 100 meter. Still, lining up the highest
buildings of these 81 nations according to their geographical proximity creates
an impressive skyline.

I really love this visualisation. Firstly it is great how they collate all
the high rise buildings and they layer it with a little design/illustration with
a silhouette of a sky line. Then there's also the gradient from blue to white
for the sky. It tells you the height of each building and its name, location and
they're sectioned Asia, Europe, Africa & America. It then has outer rings
showing scale at 200 metres & 300 metres to offer comparison between.

I kept questioning why circular, would it work better along a straight scale
to serve as like a bar chart? But I think it is served best as a circle because
it gives me the sense of the earth, rhetorically emphasized with the orange/red center
core (contrasting brilliantly with the blue sky), and the buildings grow out of
it trying to reach the planes in the sky and even satellites in space to give
you a sense of scale. Admitted a bar chart would probably be easier to adjudicate
their size in comparison, but it would change it all.

It would probably have to be smallest to largest changing the continent
grouping. It wouldn't have this great notion of height with the earth as the center
that these buildings grow from to reach satellites. It wouldn't be half as intriguing
as it is now.

Producer: Theo Deutinger, Johannes Pointl, Beatriz Ramo

http://www.td-architects.eu/?id=49


4. Onion

Again great sense of scale with how much the onion is exported form the
netherlands and how little they need to import. Also very informative as to the
amount countries import with a convenient key of size, colour and scale of cost
with the arcs/lines connecting the nodes/countries.

Producer: Theo Deutinger

http://www.td-architects.eu/?id=58


Four excellant visualisation, and there are many more at their site that I haven't
shown here.

http://www.td-architects.eu/

Mobile Phone Drawing Maps

LANDLINES+PIC Mobile Phone Drawing Maps

Landlines is a multi-user collaborative drawing tool for GPS enabled mobile phones, in which users draw by moving in real space.

There are two different visual interfaces for drawing these route maps using this innovative drawing tool, the ever popular googlemaps application, and a Flash application ‘Mapper’.

Mapper allows you to see routes as live drawings, in collaboration with other users. This is the application that they use for exhibitions and workshops.They have concentrated on the drawn quality of the line, keeping the whereabouts of users anonymous, and on the resulting map like drawings gradually revealing a place.

These are great, abstract ways of drawing with different media and create route maps of their journeys.
.
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Internet Undersea Map

internet+SeaCable+guardian Internet Undersea Map

TeleGeography create these brilliant visual map's with subtle colours and stimulate our thinking with clean, clear info graphic pye charts.

TeleGeography's innovative approach to cartography distills complex data sets into attractive posters for hanging on your wall. All maps measure approximately 37" x 51" (0.9m x 1.2m) and are printed on highly durable synthetic stock called Yupo, that is much more durable than traditional paper.

They have a more detailed map of the underground cables in this Submarine Cable Map 2008. The latest edition includes information for over 120 submarine cable systems, including major systems that are in service as well as announced cable systems expected to join a reinvigorated cable market. All data contained in the map is drawn from our Global Bandwidth Research Service, their definitive guide to the supply, demand and pricing of international bandwidth.

The map contains nine informative graphics that describe the state of the submarine cable market including a depiction of how capacity is used on the trans-Atlantic route. The connecting lines are lovely and organic almost hand rendered as was with Key Magazine Cover by John Maeda

They also have made maps for,

European Terrestrial Networks Map
Global Internet Map
& Global Traffic Map

Internet Undersea World Map seen here thorugh guardian:
http://image.guardian.co.uk/sys-images/Technology/Pix/pictures/2008/02/01/SeaCableHi.jpg

Bigger version here:
http://image.guardian.co.uk/sys-files/Guardian/documents/2008/02/01/SEA_CABLES_010208.pdf

Source: Teleography.com - Submarine Cable Map 2008. Internet Stats from: InternetWorldStats.com

Submarine Cable Map seen here:
http://www.telegeography.com/products/map_cable/index.php

Brilliant.

BrainLand

0022eb425736e16567bc85b4d30e8279 BrainLand


Wallpaper-1600x1200
Originally uploaded by Unit Seven
This is another excellant subversion of a style usually associated with geographic maps, with grid references of ordance survey and great depth of relief terrain shading... of the mind.

The subtle graduation of blue for sea tropically encompassing the Blood brain barrier reef (what wonderful characters they would be in the reef) and a brown, beige 'land' containing Isles of Imagination.

I would like to topographically follow the 'salience trail'.

Wonderful surreal visual map of the mind.

New York Times Key Magazine Cover

ny+times+key+magazine2+ +john+maeda+ +CR+nov+07+p42 New York Times Key Magazine Cover


Note that I dont have an obsession with New York at the moment, but with such great art foundations of Rauschenberg, DeKooning & Pollock its no surprise of its creative vein. Today technology is the key that has fused creativity & opened boundaries to allow interdisciplinary practice.

The New York Times real estate magazine Key started with the cover design concept of hiring people that are brilliant to do personal interpretations of what a key means to them & their lives. The 1st cover in the Fall 2006 by Carin Goldberg featured all the places she lived at using the font Dynamoe (green & black thumbnail) & spring 2007 (yellow & purple thumbnail) was designed by new york design studio 2x4.

In dialogue with John Maeda (author of Creative Code: Aesthetics + Computation) art director Dick Barnett looked at some of Maeda's sketches and replied to him saying how he's 'loving #3 Google Mappish Mondrian' (3rd thumbnail along) idea and how he might 'think of a way to make it more personal to [maeda's] life'. Maeda responded utilising Boston, he states how he 'thinks of the world as a sort of map of cities', a topographic territory, he 'mined the internet for all the cities with an airport' & made a simple diagram and then drew some 'fluid like curves [framing] to connect into the centre of the keyhole' (4th thumbnail), (Centaur Publication, 2007, p. nov – 42).

Maeda wanted to concentrate on the background rather than the foreground & after some design processing (problem solving) such as replacing fonts used to that of Key magazines T-Star, it was finished. The design is brilliant, although probably not that easy a task to create without access/stroke knowledge of computer science functionality but excellant aesthetics. The overall white stands out from the blue (a colour normally percieved as depiciting sea in maps) causing a slight incongruity on part of the viewer, map reader/user. Boston being the epicentre of travel in this map providing the key access to other cities and the viral red linking lines spidering the topgraphic locations.

Excellant Map utilising technology to visualise data functionality mentioned upon with Bradford Paley, in the heart of its design.

'John Maeda is an artist and a computer scientist, and he views the computer not as a substitute for brush and paint but as an artistic medium in its own right. His mission is to foster the growth of what he calls 'humanist technologists'- people that are capable of articulating future culture through informed understanding of the technologies they use' (http://www.designboom.com/eng/interview/maeda.html, 2008, p. john maeda interview).

More examples of the stages of Maeda's Key Cover design here, http://www.nytimes.com/slideshow/2007/09/06/realestate/keymagazine/20070909_KEY_COV_SS_index.html

Creative Review. New York. Centaur Publication, 2007, p. nov – 42).

Liverpool Map

liverpool+map Liverpool Map

There are other techniques to improve salience within the design process such as some of those mentioned by Laszlo Moholy-nagy in his essay from 1925 ‘Contemporary typography – Aims, Practice, Criticism’, ‘tension introduced into layouts by contrasting visual elements such as: • light/dark • empty/full • multicoloured/grey • vertical/horizontal • upright/oblique’ (Blackwell, 2001, p. unknown). An excellent visual map that beautifies, enlivens, and has an excellent salient ability is ‘Liverpool the centre of the creative universe’ designed by Burn Everything.co.uk, fig. This was exhibited at the Tate Liverpool but this certainly grabs the user/readers attention and it categorises the content into Topographic landmarks of the city, such as The Docks, The Walker Art Gallery, Tate, Bluecoat Art Gallery, Liverpool College of art & also by The Beatles. The subtle harmony with tinges of Pink Framing (arrows/lines) the main Landmarks in the foreground and the background framing of the Blue linking particular people across these Landmarks are excellent. The framing (Kress & Van Leeuwen) also has many different styles from varied iconic and well known pointing hands, to hand drawn, dashed lines, rounded edge bubbles, rectangular, organic grey shapes, speech bubbles all used in distinction to there landmarks. The use of varying saturations of black with the monochrome bubbles and introduction of illustrations of birds & eyes, some iconic others mimetic (realistic photos) create a magnificent balance of word & image. The layering and differing tones of grey create great depth and the information value is immense because it is so visually engaging and stimulating you to read/interpret and identify The Beatles as being something you know of. You follow the linked bubbles further and may discover Brian Epstein, ‘Who is this?’ is a reponse the name might elicit. This would then hopefully inspire the map reader/user to research this name, usually via Google (preferably Kartoo.com), or ‘Who is Peter Blake?’ That would certainly inspire and stimulate creativity upon discovery. Kress, Gunther & Theo van Leeuwen wrote three aspects of visual composition: Salience, Information Value & Framing in Reading Images: The Grammar of Visual Design. London: Routledge (1996), (Chandler, 2006, p. sem_04). Blackwell, Lewis. (1998). Twentieth-Century Type, New and Revised Edition. Lawrence King, London