Visual Communication: Wordless Recipics

laurenbugeja+ +visual+recipe1 Visual Communication: Wordless Recipics

http://www.coo.kz/

This is the website Lauren Bugeja has created to house these beautiful visual maps. The visual equivalent of a thesis - work from her final semester in Visual Communications.

She calls these visual maps Recipics, good use of ambiguity in the word pun on recipes. These are great explorations of visually mapping information making it universally accessible. She still uses the paradigm of numbers & arrows, but what I like best is how she uses these & space to depict time & measurements fig. Depicting time in a similar tecnhique to Bradford Paley in Once more around the sun. She uses faded flames contrasted to full colour to depict gas mark, which is admirable technique removing the use of numbers.

She has great experiments between mimetic depictions of food, but creates great iconic characters to represent meats i.e. lamb=sheep, beef=cow & pork=pig, fig.

Bugeja acknowledges the occasional stumbling block: “The ingredients are still a work in progress,” she said. “For example, it’s hard to explain the difference between flour, baking powder, anthrax and cocaine without words.”

A clean sans serif font, & beautiful pastel colours really caps off a great, excellantly executed idea.

Her research map as she calls it, looks at the contrast of word & images, human factors with Human Information Processing with communication. In relation to interaction of the GUI (graphic user interface) she states the same as I have researched with engagement allowing greater playfulness through more challenge, presenter control, and variety in a game for browsing.

What’s most relevant here is the Information Architecture to ‘organise information to create meaning’ through ‘scheme & structure’ i.e. mental schemas and these visual map techniques of brainstorms, spider diagrams etc (Bugeja, 2008, p VC Major project). There are many more beautiful visual maps of all topics linked under diagram diaries on flickr.

http://www.flickr.com/photos/laurenbugeja/sets/72157594238802216/


http://www.nytimes.com/2007/05/06/style/tmagazine/06tdiagram.html?pagewanted=print

Web Trend Map 2008 Beta

web+trend+map+08+ +information+architects+jp Web Trend Map 2008 Beta

Not all visual maps are prescribed to geographic content. Moving away from the past 3 maps of geography but continuing the theme of technology, there is this wonderful map from the Information Architects mapping popular internet websites.

In its second version they've 'taken almost 300 of the most influential and successful websites and pinned them down to the greater Tokyo-area train map. By popular demand, we enlarged the poster size from A3 to A0' (greber, 2008, web-trend-map-2008-beta).

In the popular style of train/underground maps, first started by Harry Beck’s London Underground map, which he developed from 1931 onwards, they are being subverted into alternative content, like here of websites map. Their clear, clean white space [1] is highly effective for organisation of information.

It is a type of

concept map

that is similar to brainstorms where it connects ideas and to that of mind maps. They are ‘graphical representation[s] where nodes (points or vertices) represent concepts (defined by [Joseph .D] Novak[2] as perceived regularities in objects and events), and links (arcs or lines) represent the relationships between concepts’. These objects and events are the common features which we abstract from our experience. The events form Wordsworth’s childhood memories that are ‘“sources of adult confidence and creativity”’ and helped him when writing Daffodils, or the visual memories in Barcelona of Picasso that inspired the painting of ‘Les Demoiselles of D’avignon’ and the objects could be the Iberian sculpture, or the Monet painting that also inspired him (Coffey, Hoffman, Cañas, & Ford, 2002, p. 2), (Sharples, 1999, p. 48).

‘Concept maps are used to form knowledge models by placing them in a hierarchical organization and appending elaborating media onto the nodes within each map’ (Montello, 2002, p.2). An excellent example of this is the search engine KartOO. The elaborate media stated are the hyperlinks, animations that are activated when you click on one of the nodes (website names).

Overall it is an excellant map utilising white space & framing knowledge beautifully, brilliant balance of form/function. More articles will come featuring projects mapping the internet.

Online Clickable links version - excellant concept map
http://informationarchitects.jp/webtrendmap3/trendmap2008.html

[1] ‘white space is, perhaps, the most important, [...] aspect of writing as visual design. According to James Hartley, a psychologist who studied the visual design of text, good use of white space can help a reader to: See redundancies in the text & thus faster reading; See more easily which bits of text are personally relevant for them, See the structure of the document as a whole; Grasp its organisation’ (Sharples, 1999, p.141).

[2] Joseph D. Novak studied the concept mapping technique in the 60’s at Cornell University.

mini bibliography

gerber, matt. (2008). Web trend map.
http://informationarchitects.jp/web-trend-map-2008-beta/ Friday, January 25th, 2008

Sharples, Mike. (1999). How We Write: writing as creative design. Routledge, London

Google. (2007). Search – Cognitive Mapping
http://intraspec.ca/12montello.pdf. Montello, David. (2002). Cognitive Map-Design Research in the Twentieth Century: Theoretical and Empirical Approaches. Cartographic and Geographic Information Sciences, Vol. 29, No. 3, pp.283-304

Google. (2007). Search – Cognitive Mapping
http://intraspec.ca/cogmap.php. John W. Coffey, Robert R. Hoffman, Alberto J. Cañas & Kenneth M. Ford. (2002). A Concept Map-Based Knowledge Modelling Approach to Expert Knowledge Sharing*, Florida Institute for Human and Machine Cognition, Pensacola Fl, 32502, viewed 30 June 2007, http://www.ihmc.us/users/acanas/Publications/IKS2002/IKS.htm

London Kerning

london+kerning+poster+ +NB+Studio London Kerning

This is a fantastic typographic exploration of type's place within the visual world of the capital.     This map won a design award from Aiga and London Design. The information is taken from AZ street maps where the icons, symbols and hard lines representing churches, streets, rivers and parks have been removed from the map, leaving only letters. It is interesting to see Geography and Creative Graphic Design combine as opposed to the separation they seem to have followed. It is a fantastic and visually inspiring/innovative typographic map of London’s street names.  

Although this is not so much about knowledge it is visually inspiring to inform ways of seeing, connecting thoughts spatially, creating a spatial immediacy that demands attention.
 
 
NB:Studio
http://www.nbstudio.com/
 
 
Img src: Creative review - the annual 2007
Good review
 
 
http://apropospig.wordpress.com/2007/04/26/londons-kerning/