Escape the Map

This ad for Mercedes Benz is really intriguing how google maps vernacular infiltrates reality. Escape The Map



Its been out a while the ad and had meant to post sooner. It is intriguing because I imagine that a projection on the road with the street view would help with sat nav's as opposed to trying to glance to your right to see a sat nav. You could just stare at the street. Would be cool.

But from a mapping point of view I was interested as it mixes the hyper real through the vernacular of google maps with reality. Now from my experiences I had learnt that hyper real was associated with the postmodern and specifically baudrillard 'the map preceedes the territory'. Jean Baudrillard argues that a simulacrum is not a copy of the real, but becomes truth in its own right: the hyperreal.

Having looked at a recent paper by Sébastien Caquard, Cartography I: Mapping narrative cartography. See here: http://phg.sagepub.com/content/early/2011/11/06/0309132511423796

Sebastien points out an interesting view of the story map, this is the fictional representation, the story map as Sébastien Caquard puts it;

‘map is more interesting than the territory because it is an idealized simplification of a complex – and often depressing – reality. This resonates with the idea that in the postmodern world most of the time the hyper-real appears joyful beside the deterioration of the environment to which it refers (Westphal, 2007).’

See now this idea of the postmodern hyerreality being joyful is what I remember with Baudrillard and simulacra's, but I wasn't aware of the map is more intersting than the territory a point illustrated by the latest novel by Michel Houllebecq entitled La Carte et le Territoire (The Map and the Territory) (2010).

I'm not sure how we're supposed to weigh between Baudrillard or Houllebecq, but like how Sebastien says they follow with this idea of the joyful presentations of reality. Many of the these joyful selections that have been crowd sourced by google maps.

'Paraphrasing Houellebecq, in other words, ‘Google Maps are more interesting than the territory’.'

This leaves me very intrigued that the story maps that Google are providing are more interesting than reality, much in the repsect that this Escape the Map ad by Mercedes Benz particularly realises well.

It makes me want to visit, or at least try to read the videos / papers that transpire from this: Cartography & Narratives

Meanwhile, read more about the different perspectives on the map and the territory here

I have been trying to get Vism.ag/Vol 4  available in print away from P.O.Demand services and got decent prices too, but still trying to find investment to do a long enough run to realistically make it viable. But... I will try to get an ebook available of it soon and the reason I bring it up is that there are a few selections of work by Denis Wood in the online sample and there's a review of his book Everthing Sings: Maps for a Narrative Atlas that I'm sure will be of essential reading to cross reference with the thoughts of the Story Map and fictional cartography. (the word fictional still distracts me as google maps work on a degree of truth, they arent made up).

Anyhow, happy hols everyone and will try to get more posts up. In the mean time, follow @visualthinkmap on twitter for more of what I see, just less analysis.

HistoryView

2349e84f615807d8c8f9c4b3457e3b8a HistoryView

This looks great. Google maps and history merged into one. I wondered about how we merge the old and the new somehow.

 

I am keen to do old historical street maps overlayed on top of interactive google, try to bring a spice of art with the idea of collaging like Mercato previous post.

 

  But its free, it has pretty good clustering of pins as you zoom in and drill down the data so it doesn't become crowded like it could do. From the group We are what we Do, who bring you the beautiful Change the world for a fiver book talking about going green.

Also with it being supported by google you can sign up with your google details quite easily.

http://www.historypin.com/

http://wearewhatwedo.org/

 

Mapping Derby

DSCF0038 300x225 Mapping Derby

Do you have a photograph of a place in Derby? Then upload it to here http://mappingderby.com/, have it geotagged, printed and added to this brilliant, low-fi, photographic map of derby.



' FORMAT needs your help to Map Derby. Throughout FORMAT Festival we will be asking Derby visitors and residents to photograph the city streets under the theme of ‘Right Here, Right Now’. Each photograph will be uploaded and geo-tagged to create a unique map of the city. Give us your thoughts, memories and inspirations of the city.
There will be a growing installation in The Royal Insurance Buildings, 2 The Strand, Derby where a 3D map of the city will grow day by day.' http://mappingderby.com/



Ok, its not completely low fi they use a lovely printer called a poga printer that uses paper that has the ink inside it so no need to replace cartridges, apparently £8.99 for about 70 sheets (I realise I sound like I just discovered apps for the first time). But I love the pins and pictures relating to that area on a lovely a3 enalrging, hockney-joiner, A-to-Z photocopies that arent quite as smooth as google street view but I think adds to its charm and beauty with the handmade approach.



I also love that pins go off the map into unchartered terrains and only the photographs are the evidence of it. It is wierd for an exhibition to be on woodchip wallpaper I must admit and i suppose the only thing I didnt like was that the map had gaps because of the walls, couldnt orientate myself, not that i'm that familiar with Derby, but maybe i'm being picky. They have tried to adapt a space to present this project and the online digital geo-tagged images on a google map are great.

Format Festival was excellent too, with collaborations on projects with Magnum.

http://www.formatfestival.com/

Facebook Cartography

Paul Butler mined through some of the data held by the social networking firm on its 500m members.

Planet Facebook / Planet Earth by Paul Butler

The map above is the result of his attempts to visualise where people live relative to their Facebook friends. Each line connects cities with pairs of friends. The brighter the line, the more friends between those cities. After tweaking the graphic and data set it produced a "surprisingly detailed map of the world," he said in a blog post.

"Not only were continents visible, certain international borders were apparent as well," he wrote."What really struck me, though, was knowing that the lines didn't represent coasts or rivers or political borders, but real human relationships.

"However, large chunks of the world are missing, such as China and central Africa, which is the maps strength as it highlights the political influence in those countries/continents as Facebook, as too Google, have struggled to function there with rules and as so have a small presence.So anstract, love it.

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A Texas Designer's Map of the World

accba0b69f352b4c9440f05891b015c5 A Texas Designers Map of the World

The fabulous design agency Pentagram based in New York with partners like Angus Hyland (co-author of many excellant design/illustration books, The Picture Book: Contemporary Illustration & Paula Scher (AIGA medalists, notorius mapper, will feature soon),      ....at the worlds leading multi-disciplinary design consultancy, feature an excellant map that Scher would be proud of. The partner DJ Stout has created a “Texas Designer’s Map of the World” as a part of a promotion for Sappi Fine Paper. Based on the concept of a Texas Brag Map, the poster elucidates the worldview that everything is bigger and better in the Lone Star State. “It’s part of our Texas heritage and our collective sense of humor,” explains Stout. “My apologies to the other smaller, less interesting states on the map.”' (pentagram, 2008, p.new).   He divides a map of the U.S. into six parts and assigns each section to a graphic designer who resides within the region. When all six posters are put together, they form a giant map of the United States, “of course I was given the Southwest,” says Stout (pentagram, 2008, p.new). Its composition is bolshy, beautifully layered (as you notice opening the pdf on a sluggish computer), with Piet Zwart/H. N. Werkman letters treatment surrounded by soft pastel triadic harmony of red, blue, yellow. Yet still its not too disparaging with the these surreal, fluctuating sized elements like The World's biggest Jack Rabbit, it has Swiss grounding in neat, clean, precise, even grids of text J.M.Brockmann would be proud of, creating a salient [1] contrast. It also treats word (type) as image that crow [2], and concrete poets of appollinaire to mallarme would adore.   The other participants include Art Chantry, Rick Valicenti, Paul Sahre, Clive Piercy and Tim Hussey. Brilliant.   Download the large version image here. http://blog.pentagram.com/2008/02/new-work-sappi.php   [1] Kress & Van leeuwen [2] Left to Right: The Cultural Shift from Word to Image

Liverpool Map

liverpool+map Liverpool Map

There are other techniques to improve salience within the design process such as some of those mentioned by Laszlo Moholy-nagy in his essay from 1925 ‘Contemporary typography – Aims, Practice, Criticism’, ‘tension introduced into layouts by contrasting visual elements such as: • light/dark • empty/full • multicoloured/grey • vertical/horizontal • upright/oblique’ (Blackwell, 2001, p. unknown). An excellent visual map that beautifies, enlivens, and has an excellent salient ability is ‘Liverpool the centre of the creative universe’ designed by Burn Everything.co.uk, fig. This was exhibited at the Tate Liverpool but this certainly grabs the user/readers attention and it categorises the content into Topographic landmarks of the city, such as The Docks, The Walker Art Gallery, Tate, Bluecoat Art Gallery, Liverpool College of art & also by The Beatles. The subtle harmony with tinges of Pink Framing (arrows/lines) the main Landmarks in the foreground and the background framing of the Blue linking particular people across these Landmarks are excellent. The framing (Kress & Van Leeuwen) also has many different styles from varied iconic and well known pointing hands, to hand drawn, dashed lines, rounded edge bubbles, rectangular, organic grey shapes, speech bubbles all used in distinction to there landmarks. The use of varying saturations of black with the monochrome bubbles and introduction of illustrations of birds & eyes, some iconic others mimetic (realistic photos) create a magnificent balance of word & image. The layering and differing tones of grey create great depth and the information value is immense because it is so visually engaging and stimulating you to read/interpret and identify The Beatles as being something you know of. You follow the linked bubbles further and may discover Brian Epstein, ‘Who is this?’ is a reponse the name might elicit. This would then hopefully inspire the map reader/user to research this name, usually via Google (preferably Kartoo.com), or ‘Who is Peter Blake?’ That would certainly inspire and stimulate creativity upon discovery. Kress, Gunther & Theo van Leeuwen wrote three aspects of visual composition: Salience, Information Value & Framing in Reading Images: The Grammar of Visual Design. London: Routledge (1996), (Chandler, 2006, p. sem_04). Blackwell, Lewis. (1998). Twentieth-Century Type, New and Revised Edition. Lawrence King, London